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Astor: Blade of the Monolith offers an enjoyable action RPG experience with charming visuals and character design. However, with weak combat and a lack of things to see and do in the overworld, it’s an experience that will soon be forgotten.

Dicefolk is an intriguing take on the roguelike that gives you an unprecedented level of control over everything, and still makes you sweat in battle. It's cute, the replayability is very high, and it's got some fun progression unlocks as well. Definitely grab it if you're a turn-based roguelike person.

Clash: Artifacts of Chaos is an idiosyncratic adventure, managing to be jaw-droppingly beautiful, fun and often mesmerising while hanging on to some of the Souls-like genre’s most frustrating elements.

Unusual Findings is a good point and click adventure that will appeal to fans of the genre and nostalgia addicts alike. It doesn’t do anything to reinvent the wheel, though, and does suffer from the occasional moment of obscurity or needing to talk to every character again to discover a new line of dialogue. If the style and setting appeal, though, then there is a lot to love here, not least the pixel art and liberal use of pop classic ‘You Spin Me Round (Like a Record)’.

No Place For Bravery has some real strong points and I really enjoyed the story in particular, but they're counterbalanced by weaker elements within the combat that meant I wasn't really excited by the whole package. It's a decent effort that will kill a few hours, but not much more than that.

Blue Fire may seem to be a Frankenstein-esque creation, stitched together from the bits of other familiar games and genres but it ends up being much more than the sum of its parts. At its best it reaches the heights of a 3D Hollow Knight with inspired level design and really enjoyable platforming. The void levels offer some extra challenge and really test your skills and the boss fights are generally well judged (the final boss could do with some balancing though). This is certain to become a cult favourite, though it deserves to find a wider audience.

The Signifier is almost an essential experience for anybody looking for a sophisticated and complex meditation on the effects of technological progress on the nature of humanity but as a game it doesn’t quite hang together. Even more frustrating is the fact that its short running time means that it ends just as it's starting to find its feet. As a result it’s a title that I am really glad that I have played but can’t fully commit to recommending it.

There is some fun to be had in G.I. Joe Operation Blackout. The story is great but there is an over reliance on making you defend a position while wave upon wave on enemies attack. It's lower priced than most new releases but even taking that into account I can only really recommend this to die hard Joe fans.

Hellbound has potential, and will surely find an audience for both its nostalgia and its challenge. While the story is almost completely unnecessary, it's a real shock that the whole narrative focus appears to not be concluded in the game, though. Just as the story gets going, and the first big boss is defeated, the endgame credits roll, leaving Hellbound feeling unfinished. That feeling is compounded by the fact that the main reason for returning comes from the score-based survival mode which is still available as a free download on Steam. Hellbound is not big, nor is it clever, and in all the wrong ways.

Rock of Ages 3 stretches the series' core concept to the limit, but this tower defence and boulder platforming hybrid has still got some legs. Adding a few new game modes and the new level creation tool extends the game's longevity, but ACE Team could do with refining a few of the rougher edges still in the game.

Bug Fables: The Everlasting Sapling is an intriguing and beautiful RPG, paying homage to classic Paper Mario games. Some areas, such as the dialogue, feel rushed, but there's a well thought out storyline and plenty of side quests and mini-games to keep you entertained.

There's something about Obey Me that I actually quite like. Perhaps it's in the charming way this indie duff 'em up apes many of the qualities of the Devil May Cry? Obey Me is a trier, and there's something about cheering on an underdog, even if it means overlooking some game design missteps. If not for borderline unplayable frame rate then, this would get my recommendation, but as it is I suggest you await a comprehensive patch for PS4 before splashing your cash.

Neon City Riders is a beautifully retro game, but certain elements feel like they were rushed and not fully developed. Its rich lore, character design and storyline make up for some of the lack of care or depth to the combat and character growth through the game. While I enjoyed the original setting and nostalgic 8-bit aesthetic, it's not a game I would readily pick up again. 

While I appreciated the insight into the folklore of the Taramuhara people, Mulaka as a game is about as average as an action adventure title gets. It’s got some great ideas lurking within, but the overall structure is incredibly dated and only really saved thanks to the subject matter. As a game, it’s not really doing much that hasn’t been done better before, but as a cultural insight, it has a lot to offer those interested.